February 11, 2016

The 7th Annual People's Art Show


My second year participating in The People's Art Show at the Factory on 5th


Electric Feel II, second from right on the top











December 13, 2015

12x12 for $144 VI




My 12x12 this year was based on a section of this photograph I took in 2010 on the grounds of Planet Bluegrass during the RockyGrass music festival.


Rock Wall II, acrylic on panel










 6x6's (sold for $36) by the students of Escuela Del Sol





Two of my favorite pieces from the auction exhibition Prelude

John Garrett, Fall Song, paper, metal, wire, trinkets, beads on board

"Fall Song plays with the idea of translating marks in one system to marks in another system. In this case, the marks become objects which are held together in plied wires. It covers a range from the mundane to the poetic."


Reyes Padilla (one of my studio mates), Synesthetic #11, acrylic on canvas

"Synesthesia: a concomitant sensation; especially: a subjective sensation or image of a sense (as of color) other than the one (as of sound) being stimulated.

Using the synesthetic condition that allows me to see sound, my paintings are representations of the music I listen to while I paint."


November 13, 2015

Creative Mornings ABQ: Empathy




I've been following Creative Mornings for years, watching inspiring talks online from creative thinkers all over the world and waiting for the day when I would either move to a city where the lecture series was already happening or hoping that someday it would come to Albuquerque. To my surprise the latter happened before the former. The first Creative Mornings ABQ talk I attended in person was Carlos Contreras reading poems surrounding September's theme of empathy. It was incredibly powerful.

September 10, 2015

Four Corners Folk Festival



My first summer music festival experience was the Telluride Bluegrass Festival sometime around age five. Since then I've gone to a festival almost every summer: The Silverton Jubilee, RockyGrass, and most recently the Four Corners Folk Festival which I've attended annually since 2010. I learned to hula hoop at these festivals and eventually got into making my own hoops and bringing them along to dance with. What I love about them is the intimacy and sense of community: as I wrote in a previous post, "There is something magical in the air during these three day events, whether it is being in the presence of so many talented musicians, dancing and hula hooping under the stars, or walking through the campground listening to late-night jam sessions." They aren't overwhelming like SXSW or Bonnaroo can be. It rained nearly all day for two of the three days we were there, but it didn't stop anyone from being outdoors and even dancing during the heaviest downpour on Saturday night. The headliner that evening invited everyone who was outside the tent to come up and sit on stage with them. Some of my favorite new discoveries from this year's festival: Eddie From Ohio, I'm With Her (Sara Watkins, Sarah Jarosz, Aoife O'Donovan), Ruth Moody Band, and The Novel Ideas.




August 27, 2015

Dangerous Ideas About Design Education




A recent article in Print Magazine by James Victore made me think about the rigorous theory-based design program I went through at the Kansas City Art Institute and how it has shaped my perspective of the field as well as influenced my practice as a freelancer and an agency designer. The premise of the 2010 Graphic Design senior show was "Unusual Behavior." My classmates and I developed this theme based on the theories and practices drilled into us throughout our three years in the program:
"The human mind is prone to pre-determined linear thought. This kind of thinking is problematic in a designer's process to innovation and creative solutions. And so we have been taught otherwise, to push the limits of our notions about graphic design and how it works—to behave unusually."
Some highlights from Victore's article Dangerous Ideas About Design Education:

"Weird is good; it's an anomaly and it's unique. I teach on the simple premise that the things that made you weird as a kid make you great as an adultbut only if you pay attention to them."

"Design is not math. This is what makes the work hard. There are no right answers and very few wrong answers."

"Know that not all clients deserve your attention. Designers are not one-size-fits-all."

"Have boundaries. Be able to say NO and to never learn the taste of shit."

"Enjoy your work and the process. If you don't enjoy it, how can you expect anyone else to?" 

Though I'm usually not one to boast, KCAI was recently named one of the 2015 Top Design Schools by Graphic Design USA.

August 21, 2015

Accident and Discipline


"You must walk a tightrope between accident and discipline. Accident by itself... so what? Discipline by itself is boring. By walking a tightrope and putting down something on canvas coming from your guts, you have a chance of making marks that will live longer than you."

-Fritz Scholder

August 12, 2015

Camping with a Newborn



My first nephew, William, was born June 6th. A few months earlier my brother called and said he wanted to take the baby camping this summer. None of us thought the idea was anything out of the ordinary considering our parents had done the same thing the summer after my brother was born when he was about the same age (7 weeks), though they chose to camp in their vintage VW bus rather than a tent. So of course he was met with an enthusiastic "yes!" from all of us. We figured as long as Will was warm, dry, and fed, everything would be fine, and it was. My brother found an area in Central Oregon called Camp Sherman, along the Metolius River which is known for great fly fishing in the spring and fall.